It_Tizz Recordings is a UK-based, Dandy Kid Records sub-label born out of a creative vision of the DKR co-founders Shab Ruffcut and Slade Templeton of Defunct. If you like it smoking then It_Tizz offers you the ultimate; a ‘go to’ platform for the techier side of dance floor fondles. Basically, tech house at itz finest It_Tizz and SuperDre teamed up for the labels’ first official promo mix.

http://www.djsuperdre.com
http://www.dandykidrecords.com

Fight Night Fridays at Carbon Night Club/Blue Note
768 W. Broadway Ave.
May 7th, 14 and 21st @ 6PM  AGES 21+ $5
Weight Inns May,  21st @6PM
$2 Shooters- All Night
$2 Wells $1 PBR until 11 PM

Hosted By T-Weezy

Ring Girls Contest Every Friday Night!
Free Giveaways All Night

Clothing-CD’s-DVD’s- Tickets!

With Special Guest Dj’s!

EVIL3UNNIE – TOP 40, HIP-HOP, TRANCE, HOUSE, DUBSTEP
SDUB- DUBSTEP MINIMAL, HOUSE,TECHNO

NFC 5 AFTER PARTY- MAY 22

May 5

Headliner – TBA

Razvan – Black Market Techno – Tech House – San Francisco

Razvan was born in Bucharest, Romania but grew up halfway between Detroit Techno and Chicago House in Grand Rapids, MI. A DJ since 2004, Razvan’s sound reflects the geographic location of his upbringing, an equal mix of Minimal, Housey Techno and Techy House. His djing style consists of long mixes, extensive use of loops, on the fly live edits and a love for working the knobs.

In 2006, Razvan moved to the San Francisco Bay Area and dove right in, working together with friend James Bass on Bassaholics Anonymous events and founding Black Market Techno . Black Market began as a collaboration between friends Razvan, dCOY, Farzana and IXD in August of 2007. The first event in October saw the San Francisco debut of Blank Artists’s founder Josh Dahlberg and Drew Pompa @ the infamous Oakland Oasis. This turned into a full time monthly which featured artists like Todd Sines (Planet E, NYC), Rich Korach (Paxahau, Detroit) Eric Johnston (Esperanza Detroit), Brian Kage , Luke Hess (Berretta, Detroit), Sassmouth (NBFC Chicago), Alland Byallo [kontrol], Limaçon (Poker Flat), Dave Aju (Circus Company), Clint Stewart (Auralism), Monty Luke (Mothership) and Christian Martin (Dirtybird), among others.

Sonnrize – SRZ

May 12

TBA – Waiting on confirmations

May 19

Shane Bugai – 6one6/Defrec | Nutation

Nešto – Disfresh | Sub-terran[e]an

TBA

May 26

9PM-2AM – Dirty Beats Sound + Lights

Metaphase – Dubstep – Pure Filth | Betamorph | Blipswitch | Rogue Dubs | Satya Dharma | Dub Frequency (UK)

2009 was quite a successful year for Metaphase. Now in 2010 with a large discography and having performed around the U.S. on some heavyweight sound-systems alongside artists such as DZ, Tech Itch, Trace, Flying Lotus, Daedelus, Seven, iLL Gates, Professionals, Bassnectar, MRK-1, and Boxcutter; 2010 only bears more and greater success for Metaphase. Now with over 20 tracks on Beatport.com, Several releases reaching #1 on the Juno Download, Addictech, and Digital-Tunes sites, 4 vinyl releases and a forthcoming album; Metaphase is moving forward quickly. Metaphase has also had support from DJ’s like Bobby Friction (BBC UK), David Starfire , Reid Speed, SamXL, Hazen, R.A.W., Deacon, and consistently gets support from Rinse.FM, Sub.FM, Dubstep.FM, and DNB.TV DJ’s.

The past several years also yielded several heavy vinyl/digital releases from Metaphase on labels such as Betamorph, Blipswitch, Foul Play, and multiple original EP’s and singles on Dub Frequency, Rogue Dubs, Satya Dharma [full album forthcoming], Blipswitch, and Bassment Projex. Producing for 11 years solid, Metaphase brings vast insight into Dubstep and Drum’n'Bass from Funk, Soul, North Indian Folk Music, 2-Step Garage, Breakstep, Minimal,Tech-House, Jazz ,and Hip-Hop.

With a combined total of 20+ tracks out on Digital and Vinyl format, spanning over 5 genres; Metaphase is rapidly breaking boundaries in Electronic Music. As an Instrumentalist born and raised in Las Vegas, Metaphase plays North Indian Percussion(Tabla & Kanjira), Drumset Keys, Hand Percussion (Tar/Frame Drum/Cajon,Congas). Other projects Metaphase has worked on have involved Composition for acoustic ensembles (String Quartet , Voice + Live Electronics, Percussion Ensemble) and Sound Design, Audio Engineering, and Composition for Film.

Deej – Dubstep – Betamorph | Furthersound

Part of the early rave scene, L.A. native Dylan James acquired his first turntables in 1994. He felt a kinship with this new dawn of electronic music that dispensed with all the usual conventions and points of authority. It offered new pastures and a chance for metamorphosis from the old system. He found his new calling written among the symbols of his own name, and stripped his moniker down to DeeJ.

Fueled by his passion and a potential vision of the future, DeeJ worked on his art form of mixing for roughly 16 hours a day, quite often after shopping the Record Shops in Los Angeles. This was a labour of love and a chance to explore his gift, and in 1997 he was playing L.A. parties with great and influential acts like Simply Jeff, Thomas Michael, Thee-O, Curious, Jason Blakemore, Ron D Core and R.A.W.

“One of the only true gifts I have is mixing records. It comes naturally to me. I have always had a deep passion for it and consider it to be just about my favorite thing to do.”

In 2003, Deej decided on a professional hiatus, to mold his vision and perfect his alchemy. In 2005, he reappeared in Florida, already playing shows and dominating the local scene. The real catalyst came in 2007, when Stupid Fly Records and Abducted Dub joined forces to bring 12th Planet, Babylon System, AK1200, and others to Jacksonville for the epic Audible Warfare. After running Abducted Dub for a few months, Deej seized the opportunity and started his very own Betamorph Recordings. Alongside graphic artist Chris McCahill (aka Megatron), Betamorph began to offer its unique blend of subterranean sci-fi: raw and visceral tunes framed by galactic images symbolizing the capabilities of Dubstep.

“I’ve always loved all genres of electronic dance music. I’ve been mesmerized by the way that people are deeply affected by music and how it has the ability of truly bringing people together. You can’t fake it. It’s real.”

Drawing his eclectic influences from across Drum and Bass, Breaks, House and even a little Pink Floyd, Betamorph has given DeeJ the perfect platform to unleash his vision of tomorrow’s noise on both national and global levels. With Betamorph growing exponentially, 2009 has been a year for traveling, marketing the Betamorph name and dropping tunes in Austin, Houston, Louisiana, Chicago, Orlando, and at least several times in Atlanta. Highlights included DeeJ’s opening set for Scuba in May 2009, the honor of opening for DZ’s Chicago show in August, as well as an epic headlining show for Ghost Industries in September called ESP. So far, in 2010, DeeJ has taken this momentum to a new level playing alongside with DZ, Noah D, Roommate, Ultrablack, Total Recall, Metaphase, Hulk, Phaded and a list of other influential acts. Headlining shows in Miami (WMC), Grand Rapids, Atlanta, New Mexico, Kansas, Jacksonville, Kansas City, St. Louis, Detroit, and an upcoming tour in Los Angeles and San Fransisco and ending with Hawaii. Later this fall expect to see him in the Washington DC and surrounding areas. Represented by FurtherSound Management, DeeJ is already cementing his place alongside the legends.

Although Betamorph are handling the future, as an individual, DeeJ certainly knows how to handle a tune. Through my own experience I have learnt this, but I feel my description cannot do his talent justice. Perhaps because I resent the word ‘tune’, as too many people will always say ‘choon’ instead. ‘Choon’ is the noise a train makes, not a fair description for precise yet aggressive Dubstep. Although I can imagine the results if DeeJ was put in charge of audio transport as well. It wouldn’t be the ghost train to Hell that all those pussy haired metallers
seem to talk about, it would be the train coming back the next morning.

Everyone with dumb grins, wide eyes, devil’s sunburn and empty bags of chemicals.

William VanDyke – Breaks + Dubstep – Dirty Beatz

Swoop – Dubstep – Betamorph | W.E. Recordings | Dubstep.fm

We Get Dirty Wednesdays

Below 25 (25 Kitchen + Bar)
25 Ottawa Ave SW

9pm – 2am
21+
FREE

$2 PBR
$2.5 Wells

Special thanks to:
Sylock (mastering)
Cosine (vocals and vocoding)
Jackie Dupree (vocals)
Jon Bozeman (vocals)

1 ) Disco Robot
2 ) RockSteadyInLove feat. Cosine
3 ) Nothing Something
4 ) Shine On feat. Jackie Dupree
5 ) India Thang
6 ) Beautifully Dangerous
7) Baked
8 ) Uncommon
9) Karate Kid feat. Jon Bozeman
10 ) Gorgeous
11 ) Terpsichore (A Day of Moments remix by Archangel)
12 ) Good Time feat. Jackie Dupree

Download the whole damn thing for free HERE

Mosaic – Sunday DnB

Your favorite local DJs. Lineup changes weekly.

joining us for this session of modul8 as we bring you a packed line up

Adam Francesconi – House Gallery

Crispin Klemp – 6one6

Memnok – 4th Kind

Sylock – Lime Green Shirt

definitely a show not to be missed.
stats:
21+
2 dollar beers all night
NO COVER

Presented by:
DISFRESH DETROIT and DAE RECS.
——————————————-
Outdoor Rooftop:

LOVEBIRDS (Teardrop, Winding Road, Freerange)
movement 2010
exclusive appearance

FRED EVERYTHING (Lazy Days, OM)
movement 2010
exclusive appearance

KEN ECB (Great Lakes Audio, Alphabet)
movement 2010
exclusive appearance

AARON DAE (Dae Recs, Dae Deep)
movement 2010
exclusive appearance

BOOGIE LIBRE aka Sam Martin & Ernie Reyes (MyMode)

Indoor Area:

ALLAND BYALLO
(Night Light, Dirt Crew, Liebe Detail)

JEREMY POLING (Maximal Music Detroit)

SUTTER (Disfresh Detroit)

BASSICK (Disfresh Detroit)

DEREK FOREAL (Disfresh Chicago)

JAYDED (Disfresh Detroit)

NESTO (Disfresh Detroit)
——————————————-
@ Exodus Lounge
529 Monroe St.
Detroit, MI 48226

GORGEOUS OUTDOOR ROOFTOP LOCATION + INDOOR AREA

In the heart of Downtown Detroit’s Greektown